Wow, it feels like much longer than 2 months, I’m packing SO much in and learning SO much! Would you like to hear what I’ve been up to at Cambridge School of Art this month? My 1st month was full of inductions, demonstrations, generally finding my way round (not an easy task!), getting to know my lovely fellow course members a little and finding out what was expected of me. Pop back and see my last blog if you’ve not done so already (for a little tour and more). My second month has been all about getting really stuck in! My work is pretty much all self directed, so I’ve set myself the challenge of seeing how well my art translates into printmaking (a brand new medium for me). Aiming to create ‘prints with impact, that feel alive’. Screenprinting & Lithography I’ve dabbled a little in mono print and risograph but have now honed in mostly on screen print and lithography. With screen I love the variety of colour I can use (basically any acrylic paint mixed with screenprinting medium), the precision possible, that I can reproduce messy marks as well as neat ones and that I can work big. What I don’t like is that I have to clean up thoroughly every time I want to change colour (I’ve done more cleaning than printing!) And I keep finding new ways of messing up my screen preparation. I over cleaned one screen last week until it split, in addition to blowing all the electrical equipment in the studio due to the excess moisture I’d created! With lithography I love that it picks up tonal qualities of an image and the more subtle details, and it’s fun to use the equipment! What I don’t enjoy is that it uses oil based ink - 1. It limits my colour choices (unless I mix and it’s really hard getting the right turquoise, although there is a fluorescent pink!) 2. It takes more than a day to dry between layers 3. It’s horrible to clean up (which again has to be done between every colour) I’m really enjoying printmaking but it’s definitely utilising the more organised side of my personality! It’s the opposite experience to how I paint, being anything but immediate and needing intricate planning and preparation. Mid-Point Crit This month included some tutorials and a mid point ‘silent crit’ where we displayed our work so far, for our tutor and peers to critique while we stood in silence, not allowed to make comment, response or explanation! Here is a little video of my display: I actually found it a really helpful opportunity to stop and reflect on things and consider where to take things next. It was a little daunting to realise that my 2nd ever go at printmaking would need to be my ‘final piece’ to hand in at Christmas, due to time constraints. It certainly helps to bring focus and pushes you to aim further than you might otherwise go. I’m learning (I think I’m right in this!) that they are more interested in you experimenting and taking risks and learning through error and changing your plans, than they are in you having a good idea at the start that you complete with perfection and ease. This is pretty releasing really, as long as I leave behind my perfectionism and my need to see things through to completion. I’m needing to make a mental note every so often of things I would like to have more of a play with when I have more time once my MA has finished! Other highlights this month Dyslexia - I have an official diagnosis now and have been granted a disabled student allowance. This feels a really positive thing on so many levels after all these years of academic struggle.
Charlotte Cornish - I had the amazing privilege of interviewing my artist hero last week. She was so generous in sharing her story, process and studio with me, and I came away feeling really encouraged and inspired. Check out her work it is utterly stunning: www.CharlotteCornish.co.uk Let me finish by sharing some of my most recent pieces. I’m now taking my current prints into a collage direction, which is fun, and a stepping stone towards my plans to take them proper 3 dimensional after Christmas! Click on them to see them properly.
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